arflex-Fiorenza-armchair-design-Franco-Albini-fabric-leather-backrest-high-living-hospitality-iconic-1950s-project-luxury-madeinitaly-modern-contemporary
arflex-Fiorenza-armchair-design-Franco-Albini-fabric-leather-backrest-high-living-hospitality-iconic-1950s-project-luxury-madeinitaly-modern-contemporary

Armchair


arflex-italian-design-story-livingroom-house-design-living-hospitality-project- luxury -madeinitaly-minimal-alba-marechiaro-island-pouf-fiorenza-infinity

Infinity 105 x 105

Designed by Claesson Koivisto Rune 2018

The intriguing effect of the leg loop is that the small table changes expression asymmetrically when moving around it.

Pouf

Designed by arflex 1952

Pouf has a simple and clean line, suitable for both relaxing and sitting.

Fiorenza

Designed by Franco Albini 1952

Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the...

Marechiaro system

Designed by Mario Marenco 1976

The extreme formal essentiality of these upholstered elements, designed in 1976 by the architect Mario Marenco, still makes them a very current...

Alba

Designed by Bernhardt & Vella 2018

Alba is a bookcase for displaying and containing, with exceptional compositional versatility. The shelves, thanks to the fixing elements with a...

arflex-italian-design-story-livingroom-house-design-living-hospitality-project- luxury -madeinitaly-minimal-marechiaro-infinity-fiorenza-alba-brianza

Infinity 105 x 105

Designed by Claesson Koivisto Rune 2018

The intriguing effect of the leg loop is that the small table changes expression asymmetrically when moving around it.

Pouf

Designed by arflex 1952

Pouf has a simple and clean line, suitable for both relaxing and sitting.

Brianza - Version without armrests

Designed by Claesson Koivisto Rune 2017

Its feature is the extra width. In fact, it is slightly wider than most chairs, making it feel more luxurious than other chairs in this typology,...

Fiorenza

Designed by Franco Albini 1952

Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the...

Marechiaro system

Designed by Mario Marenco 1976

The extreme formal essentiality of these upholstered elements, designed in 1976 by the architect Mario Marenco, still makes them a very current...

Alba

Designed by Bernhardt & Vella 2018

Alba is a bookcase for displaying and containing, with exceptional compositional versatility. The shelves, thanks to the fixing elements with a...

arflex-italian-design-story-livingroom-house-design-living-hospitality-project- luxury -madeinitaly-epoque-hollywood-cradle-fiorenza

Cradle small table

Designed by Neri&Hu 2018

Cradle, a small table characterized by its structure: a classical triangular construction, that is repeated several times around it.

Fiorenza

Designed by Franco Albini 1952

Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the...

Hollywood

Designed by Claesson Koivisto Rune 2012

A luxurious proportioned seat system, with an accent from the Scandinavian heritage.

arflex-italian-design-story-livingroom-house-design-living-hospitality-project- luxury -madeinitaly-epoque-fiorenza-pouf

Pouf

Designed by arflex 1952

Pouf has a simple and clean line, suitable for both relaxing and sitting.

Fiorenza

Designed by Franco Albini 1952

Symbol of comfort, Fiorenza armchair appears in Pirelli's 1950s advertisement as symbol of the foam rubber potential, considered at that time the...


designed by

Franco Albini

Born in 1905, in 1916 he moved with his family to Milan, where he got his degree in Architecture at Politecnico (1929) and began working in the office of Gio Ponti and Emilio Lancia. In 1931 he opened his own professional studio, in which Franca Helg and after Antonio Piva, entered into partnership. Since 1949 he taught in the Universities of Venice, Turin and Milan. He was a member of the CIAM (Congresso Internazionale di Architettura Moderna) and the INU (Istituto Nazionale di Urbanistica), an academic of S. Luca, an honorary partner of the AIA
(American Institute of Architects) and a member of the Scientific Institute of CNR.
He partecipated in numerous congresses, conferences and international commissions on the theme of modern museum-planning. After the war, he mostly concerned with the setting up of museums and public transport sector, archieving, among others, with Franca Helg, the stations of Line 1 of Metropolitana Milanese – subway stations (Compasso d’Oro 1964). 
 

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